All Critics (46) | Top Critics (13) | Fresh (44) | Rotten (2)
Seydoux perfectly captures the anger and self-defeat of ill-educated, hedonistic, man-chasing young women who live on the fringes.
L?a Seydoux fulfills Louise, and Kacey Mottet Klein, as Simon, is one more to join the pantheon of film's excellent child actors.
Haunting and sad. And absolutely worth seeing.
The chemistry between the two leads is a razor's-edge dance: feral, childish, tender and always complex.
Movies about wayward kids are a European specialty. The new film "Sister" deepens the specialty.
The influence of Belgian masters Jean-Pierre and Luc Dardenne's documentary eye for youth on the margins is evident in Ursula Meier's calmly heartbreaking drama.
Emotionally engaging and impeccably crafted
Klein and Seydoux give such naturalistic performances that they're never overwhelmed by the spectacle.
"Sister" is loose and episodic, but held together with nicely sketched characters.
[A]voids bathos. . .reveals unexpected depth in a heartbreaking bond. . . Different classes conflict [in] adjacent spaces . . .in spare, realistic Dardennes' style.
Meier draws out wonderfully naturalistic performances from her young stars, with Mottet Klein particularly good as the young roustabout Simon ...
It comes over like a subtle short story and is well acted.
Meier's portrait of Simon ... is richly atmospheric and never sentimental.
An enigmatic, heartfelt account of a vulnerable young boy's yearning for a better life.
Most intriguing is how the writers and director have transformed what's essentially a rather dark, bleak story into something involving and emotionally resonant, all without ever turning sentimental.
It is an interesting and well-made movie, though with an uncertain ending.
Sister gradually reveals pattern in its tapestry of everyday life.
An expert piece of storytelling with a host of strong character turns and thematic depth to burn.
A healthy seam of mischief helps cut through the occasionally rote social comment.
An emotionally engaging, beautifully shot and impressively directed Dardennes-esque French drama with a superb script and excellent performances from Kacey Mottet Klein and L?a Seydoux.
An unusual, involving, slightly strained character study from Ursula Meier, the French director of 2008's satirical dystopia, 'Home'.
'Sister' often recalls the recent work of the Dardenne brothers of Belgium and that landmark of the French new wave, Francois Truffaut's 'The 400 Blows' (1959).
Psychologically complex. You may be shocked, you may be moved, but you won't easily forget "Sister."
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